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c. 1445 – May 17, 1510. Italian painter.

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Candido Lopez
Representation of the Brazilian Army at Curuzu during the War of the Triple Alliance.

ID: 94121

Candido Lopez Representation of the Brazilian Army at Curuzu during the War of the Triple Alliance.
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Candido Lopez Representation of the Brazilian Army at Curuzu during the War of the Triple Alliance.


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Candido Lopez

(29 August 1840eDecember 31, 1902) was an Argentine painter and soldier. Born in Buenos Aires, he is considered one of Argentina's most important artists. He is most famous for his detailed paintings and drawings of battles of the War of the Triple Alliance, in which he also fought, losing his right arm. As a result, he learned to paint with his left hand. He was already a prestigious artist by age seventeen, and had been taught by the exiled Italian Risorgimento artist Baldassare Verazzi. His paintings of battles reflect his love of detail and showy colors that depict the war in miniature. Many of his works are found in the National Fine Arts Museum in Buenos Aires. He is buried in La Recoleta Cemetery, also in Buenos Aires.   Related Paintings of Candido Lopez :. | A Santa Barbara Courtyard | Portrait eines jungen Adligen | Genfersee von Chexbres aus | Sacrifice to Silenus | anne countess of albemarle |
Related Artists:
John Mundell
painted Punting Down the River in 19th Century
Domenico Maggiotto
painted The Fruit Girl in 1745 - 1770
Edward Troye
American Artist . b.1808 d.1874 American painter of Swiss birth. Before 1822, his father, Jean-Baptiste de Troy, a sculptor of minor fame, moved his family to England, where Edward was instructed in drawing and perhaps painting. The animal painter Jacques-Laurent Agasse knew the family well. Troye wrote in 1857 that he was trained in London by the best masters and stated that he followed the style of George Stubbs and John N. Sartorius. In 1831 Troye arrived in Philadelphia, where he was employed as a magazine illustrator. The following year he exhibited animal subjects at the annual Pennsylvania Academy of Fine Arts exhibition and rapidly found patrons among racehorse owners. His typical works show motionless, unsaddled and riderless animals against a low horizon






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